Synopsis

 

A man learns his daughter has been brutally murdered by her husband. Time stands still as he oscillates between the need for solace and his urge for revenge.

 

A musical featuring Guinean percussion master, Mohamed Bangoura (“Red Devil”), loosely based on his own story.

 

AWARDS

 

Special mention

25FPS Zagreb (Croatia) (Jury’s statement here)

Capivara Award for the Best Short Film of the International Competitive

FestCurtas Belo Horizonte (Brazil)

YOUNG JURY PRIZE 2017

LÂge d’Or 2017

Best International short film

Janela International do Cinema do Recife 2017

Critics prize for Best International short film

Janela International do Cinema do Recife 2017

Students jury PRIZE

F.A.M.E 2017

Special Mention

F.A.M.E 2017

PREMIO PRINCIPADO DE ASTURIAS AL MEJOR CORTOMETRAJE

Best International short film

Festival Internacional de Cine de Gijón/Xixón 2017

 

Download Press kit

 

ENG_PressKit_LA BOUCHE

 

LA BOUCHE view list of  screening & festivals (Click here)

 

Press reviews:

 

Crítica de “La bouche” de Camilo Restrepo: “Vínculos de sangre, gestos de amor” (by Gonzalo de Pedro Amatria for Otros Cines Europa)

 

Cannes 2017: el corazón de las contradicciones (By Pedro Adrián Zuluaga for Revista Arcadia)

 

CANNES 2017: LA BOUCHE BY CAMILO RESTREPO (by Mónica Delgado for Desistfilm)

 

FICIC: Camilo Restrepo, un cineasta que ilumina violencias de Colombia (by Daniel Cholakian for NodalCultura)

 

Camilo Restrepo entra en Cannes con un corto sobre la justicia y la muerte (by EFE for eldiario.es)

 

Festivales: Camilo Restrepo del 7 FICIC a Cannes sin escalas (by Rolando Gallego for Escribiendocine)

 

 Cannes 2017: comme une présence africaine (by Falila Gbadamassi for Africine.org)

 

La Bouche (by Michael Sicinski)

 

FICIC 2017 – La comunidad continúa (Lucas Granero for Las Pistas)

 

CAMILO RESTREPO. LA IMPRESIÓN DE UNA GUERRA, CILAOS, LA BOUCHE. (by Miguel Maestro for Nos hacemos un cine)

 

LA BOUCHE (Óscar de Julián para Costosfera)

 

Festival / F.A.M.E., au-delà du cinéma (dans Libération, par Jérémy Piette)

 

Boca, o que você vai fazer? (por Matheus Araujo dos Santos)

 

 

Synopsis

To keep a promise made to her dying mother, a young woman goes off in search of her father, a womanizer she has never met. Along the way, she soon learns that he is dead. But that doesn’t change her plans, she still intends to find him.

 

Carried by the spell-binding rhythm of the maloya, a ritual chant from Reunion Island, Cilaos explores the deep and murky ties that bind the dead and the living.

 

 

Download PressKit

 

CILAOS (view list of Awards & Screenings) Click here

 

 

Awards :

 

Pardino D’argento

Festival del Film Locarno 2016

Best film of the New Cinema Competition 

Berwick film & media art festival 2016

Best short film of the International competition

IX Janela Internacional de Cinema 2016

special mention 

Antofadocs 2016

Silver Fiction Award “Mikeldi de Plata”

Zinebi 2016

special mention 

Festival de Cartagena (FICCI 2017)

special mention Best European Film

Go Short 2017

Honourable mention

Media City Film Festival 2017

Prix Ex-Aequo

Festival des Cinémas Différents et Expérimentaux de Paris 2017

special mention 

35° Festival Tous courts Aix-en-Provence 2017

 

Press reviews:

 

° Punk, performance y crítica observacional (Por Gonzalo de Pedro Amatria)

 

° Wavelengths, la sección radical del Festival de Cine de Toronto : Miradas que liberan (Por Pedro Adrián Zuluaga)

 

° Remember You As You Were: 2016 TIFF Wavelengths Shorts Programs highlights (by Irene Bindi)

 

° TIFF 2016. Wavelengths Shorts (by Michael Sicinski)

 

° Notas sobre Locarno 2016 (Por Jorge Rivero)

 

° New Pathways in Latin America
(Ela Bittencourt on the 2016 FicValdivia Film Festival)

 

•  Foco Camilo Restrepo y L’Abominable en OUFF y CGAI (2016)

(Por Andrea Franco, curadora del foco)

 

• Lo mejor de 2016 (Por Gonzalo de Pedro Amatria para OtrosCines Europa)

  Cilaos – Mejor musical del 2016

 

• DESISTFILM 2016 FILM ROUND-UP: THE LIST

  Cilaos on 3 lists : Victor Guimarães – Dana Linssen – Mónica Delgado

 

•  A year in short(s) ( Film Pulse)

 

• The best film of 2016 (by Sight&Sound contributors)

Cilaos on Dennis Lim’s list.

 

• Crítica sobre Cilaos (Por Jorge Rivero para Cortosfera)

 

• Wavelengths at the 2016 Toronto International Film Festival (Senses of cinema)
  

   

• Critics Round Up

 

 ° DESISTFILM ROUND-UP: BEST EXPERIMENTAL SHORTS FILMS OF 2016

 

• Camilo Restrepo.  La evidencia de un cineasta (por Roger Koza. Para Retina Latina)

 

° FICIC: Camilo Restrepo, un cineasta que ilumina violencias de Colombia (por Por Daniel Cholakian. Para NodalCultura)

 

 ° Festivales: Camilo Restrepo del 7 FICIC a Cannes sin escalas (Por Rolando Gallego. Para Escribiendocine)

 

° MEDIA CITY FILM FESTIVAL 2017: CAMILO RESTREPO, HELENA GIRÓN AND MANUEL DELGADO, ANA VAZ (By Aldo Padilla)

 

° Festival / F.A.M.E., au-delà du cinéma (dans Libération, par Jérémy Piette)

Synopsis
For over 70 years, Colombia has been confronted with internal armed conflict. Over the years, the outlines of the conflict have grown indistinct. A climate of generalized violence has gradually settled over society as a whole.

 

Violence and barbarity have worked themselves into every aspect of daily life, and fine traces of it mark the streets. Through a multitude of these traces, perhaps the narrative of this hazy war will finally take a firmer shape.

 

“Impression of a War” offers a vision of some of those deliberate, accidental, ostensible, fleeting or dissimulated marks. They are often signs of the struggle against oblivion, indifference and impunity.

 

 

Download PressKit

 

PresseKit_Fr_Impression_d_une_guerre_A4_v2

PressKitEng_Impression_of_a_war_A4_v2

 

PRESS REVIEWS

 

El cine de Camilo Restrepo: asedios a la « ciudad archivo »

By Pedro Adrián Zuluaga (Spanish)

 

Imágenes latinas (cortometrajes)

Gonzalo de Pedro Amatria reflexiona sobre los cortometrajes latinoamericanos presentados en la sección “Pardi di domani” del Festival de Locarno. (Spanish)

 

Letzte Leoparden

Artechock-Bolg (German)

 

Dos notables exponentes del cortometraje latinoamericano (por Diego Batlle)

Valdivia 2015 (Spanish)

 

Sobre Locarno (por Jorge Rivero para Cortosfera) (Spanish)

 

Sobre el Festival de Cine de Mar del Plata (por Diego Battle para La Nación, ) (Spanish)

 

Sobre Curtocircuito 2015 (Revista Magnolia) (Spanish)

 

Curtocircuito 2015, Santiago de Compostela. CUATRO TÍTULOS Y UNA CONCLUSIÓN OPTIMISTA (por Andrea Franco par Camira) (Spanish)

 

Crítica La impresión de una guerra (por Jorge Rivero para Cortosfera) (Spanish)

 

Top 10 shortfilms 2015 (24 images) La impresión de una guerra 3 times selected! (Check here)

 

Lussas 2016 – Matières d’images par Boris Monneau. Revue A bras le corps. 03/10/2016 (Check here)

 

Foco Camilo Restrepo y L’Abominable en OUFF y CGAI (2016)

(Por Andrea Franco, curadora del foco) (Spanish) (Check here)

 

MUBI Presenta: ‘Impresiones de una guerra’ de Camilo Restrepo’ (por Butaca Ancha) (Check here)

 

Welcome to Hell: Close-Up on Camilo Restrepo’s “Impression of a War” (By Michael Pattison for MUBI) (Check here)

 

Camilo Restrepo’s Impressions (By Aaron Cutler for MUBI) (Check here)

 

 View list of past screenings

 

AWARDS:

 

PARDINO D’ARGENTO CONCORSO INTERNAZIONALE 

68° Festival del film Locarno 2015
International short film competition “Pardi di domani” 

 MENCIÓN ESPECIAL XURADO RADAR

12° Festival CurtoCircuito 2015

 MIKELDI DE ORO  DOCUMENTAL

57° Zinebi 2015

AWARD TO THE BEST PHOTOGRAPHY

VIII Janela Internacional de Cinema do Recife 2015

BEST SHORT-FILM

Festival de Cine de Cartagena de Indias (FICCI 2016)

Mención competencia iberoamerica documental

Shorts Mexico Festival

Best Documentary Short-Film

Bogoshorts 2016

Prix ex aequo

Festival des cinémas différents et expérimentaux de Paris  2016

Shortlisted Award for Emerging Voices 2016

Oppenheimer founds & Financial Times

Best short documentary

Dokufest 2016

SPECIAL MENTION

IndieLisboa 2016

 PRIX QUALITÉ (CNC)

Centre National du Cinéma et de l’Image animée (France)

 

Synopsis

Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.